1936年，年轻的复兴社干部训练班学员林楠笙，被复兴社特务处上海区区长陈默群带往上海，参加抓捕潜伏在蓝衣社的地下党活动。在执行活动的过程中，正直单…

1936年，年轻的复兴社特训班学员林楠笙，被复兴社特务处上海区站长陈默群带往上海，参加抓捕潜伏在复兴社的地下党任务。在执行任务的过程中正直单纯的林楠笙不断被顾慎言、纪中原、朱怡贞、左秋明等共产党人为国为民的使命感和大无畏的牺牲精神感召，对国民党内部的乱象和当时中国人民的苦难有了更深的思考，也对共产党人的信仰和追求有了更深的了解。林楠笙在对日伪的斗争中勇敢果毅，屡立战功。在民族大义面前，多次和共产党人站到一起，尤其是在一些关键时刻，他利用自己在军统的特殊身份，为上海地下党组织提供了极大的帮助。经过艰苦斗争和生死考验后，林楠笙成长为一名真正的共产党员，并在解放战争的关键时刻,为党和国家做出了突出贡献。

作为法国新浪潮电影运动的先驱者，路易・马勒既反叛又不拘一格，难以被类型或风格所界定。自由与独立始终是他创作的核心准则，而驱动他的，是永不满足的好奇心，以及对童年及其创伤的执着关注。 　　他的电影之所以引发诸多争议，恰恰因为凭借《情人们》、《烈火焚心》、《好奇心》与《拉孔布・吕西安》等作品，他精准捕捉到了自己所处时代的精神内核 —— 那正是法国社会的精神风貌、社会变迁、民俗传统与潜藏的阴影。 　　他在美国十年的旅居经历，让他成长为一位具有国际视野的电影人，并得以在 20 世纪 70 年代中期实现自我风格的重塑。回到法国后，他执导了《再见，孩子们》，这部影片浸润着他个人的过往经历，也为他的职业生涯画上了辉煌的顶点。正如路易・马勒本人所言，他的人生便是其作品的写照：浪漫而激荡。

这部单集纪录片回顾了电影界最受追捧和极具开创性的作曲家汉斯·季默的人生旅程。在四十年光辉的职业生涯中，他重新定义了电影配乐，向新一代观众展现了管弦乐所演绎出的无与伦比的戏剧性。灵感涌现之时，汉斯·季默轻按几个和弦，就能为电影增添与众不同的氛围感，彰显角色的性格特征。片中重温了汉斯·季默一些最受欢迎的标志性电影音乐作品，配合多位与他合作过的好莱坞顶尖人物访谈，讲述了他在同年播出的纪录片《冰冻星球II》以及众多其它作品中，极具里程碑意义的配乐创作过程。

Out of the tumult and fervour of the late 1960s emerged a generation of artists who set out to start a revolution. As women around the world joined forces to fight for liberation, the formative art movement of the last four decades was about to explode into being. On both sides of the Atlantic, women were tearing up art history and reinventing the arena of art with experimental new mediums and provocative political statements. Questioning everything from the way women were presented in magazines to the right to equal pay, female artists aimed to radically change the way women were perceived. 　　Mary Kelly caused outrage in the tabloids by displaying dirty nappies at the ICA, Margaret Harrison's depiction of Hugh Hefner as a bunny girl resulted in her exhibition being shut down by the police, and in Los Angeles Judy Chicago founded the first feminist art course and told her students to only study work by women. Alongside interviews with Turner Prize winner Lubaina Himid, Suzanne Lacy, Carolee Schneemann, Rose English, Laurie Simmons and Barbara Kruger, The Great Art Fight Back tells the story of these revolutionary artists and celebrates the grit, humour and determination that wrote women back into art history for good.

The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. 　　Through experimentation and innovation he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.

In 1831, a woman flees her abusive marriage, moves to Paris under a male pseudonym, and challenges gender norms by wearing men's clothing, pursuing affairs, and advocating for women's rights through writing.

一对年轻夫妇十分甜蜜，在筹备婚礼的过程中，女主却又和前男友旧情复燃，孰是孰非，谁去谁留，一切变得如此复杂，隔阂也在慢慢蔓延。

本片回顾了被称为“行为艺术教母”的奥地利女性主义艺术家艾丝波特由六十年代末的争议对象成为当代艺术偶像的历程，展示其多样艺术形式的同时重点反映她以自己的身体为艺术对象传递的女性自由的政治斗争信息。对包括阿布拉莫维奇在内的友人同事的采访和耶利内克的撰文则提供了解读对象的私人与艺术视角。（豆瓣电影字幕翻译2.0小组）

NEW投资发行，Contents Panda出品，브레인샤워制作。讲述了患上肌萎縮性脊髓側索硬化症的高中生，和朋友、家人度过最后时间的温暖又愉快、令人感动的故事。 2016年4月上映。